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peace, love, happiness & understanding 4/1/21
April 1, 2021 - April 14, 2021
The Aged Aged man, illustration by John Tenniel (see the last poem)
THE OPEN ROAD
peace, love, happiness & understanding
April 1, 2021
Jerry Smith sent this inspiring prose poem:
And the people stayed home. And read books, and listened, and rested, and exercised, and made art, and played games, and learned new ways of being, and were still. And listened more deeply. Some meditated, some prayed, some danced. Some met their shadows. And the people began to think differently.
And the people healed. And, in the absence of people living in ignorant, dangerous, mindless, and heartless ways, the earth began to heal.
And when the danger passed, and the people joined together again, they grieved their losses, and made new choices, and dreamed new images, and created new ways to live and heal the earth fully, as they had been healed.
—Kitty O’Meara
*
Rocky sent this poem just in time for this issue:
Recently, after 45 years on earth,
my whole being has been touched by love.
A lifetime of issues kept me from
feeling the truth of this most powerful emotion.
For the first good while I was uncertain
& thought I was having heart problems.
In fact that is what happens to the
heart when filled with arrows of love.
Until now, I’ve never cried for love;
these tears are from the deepest pain.
My love is here, free & it is real;
it is unselfish, it is hunting for the same.
The capability & potency & strength
of the Love in me feels like lightning in my heart.
This is what will shatter the walls
of this prison & cast me into the stars.
—Rocky Hutchinson
*
On Sunday, March 28th, for our Bibliophiles Unanimous! Zoom gathering we read, recited and sang “Story Poems” to each other. Kim Stafford sent a link to a video, along with these words:
“here’s a film I made a few years back…based on a ballad I wrote 20 years ago…about an encounter over 40 years ago…”
He also sent a text version for this issue of “peace, love, happiness & understanding,” for our friends in prison who can’t watch the video. The italicized parts are sung:
I’ll Do Anything, Watch Me Try
I was driving south along Interstate 5 in the Spring, forty years ago, and I picked up a hitchhiker with bandages on both hands.
“Is this a Mailbu?” he said, climbing into my car. “My name’s Dan. I used to have a Malibu, but she burned.”
“We was driving along,” he said, “me and Ruth and the boys—looking for work, and the damn car catches on fire…” He told his whole sad story…
It ain’t all honey & roses down in Portland,
when you got no work and hungry children,
Driving along down Burnside in the evening,
look in every doorway for a sign.
I’ll do anything, watch me try:
fix your engine, mend your road,
Crack my fingers, break my back
on any load you lead me to.
When we came to a little town, he said to let him out on Main Street. I shook Dan’s hand, gently so as not to hurt the burn, and then I gave him my coat, and all the money I had on me. He set off down the street, and I got in the car and drove south.
There’s a place a few miles farther on, where I sat by the river under a cottonwood with my guitar, and Dan’s story turned into a song.
The kids were sleeping in the back seat,
Softly talking in their way.
Any more they’re never sure,
When it’s night, and when it’s day…
Then somehow a fire broke out,
in the backseat, on the floor—
I grabbed John, and Ruth grabbed Daniel,
closed my eyes and out the door.
I left the kids with my brother out in Gresham.
Ruth went wandering on her own.
I got to find a job and make some dollars,
put it all together again.
When I got where I was going, I told my friends about Dan, and the burning car, and one of them said, “You didn’t give him any money, did you? That’s a scam!” They made me feel small, and a fool. But then, heading north, I stopped under the tree again, and made a new verse about my friends.
Now the man who told that story was a drifter
I picked up walking down Interstate 5.
I gave him money and I told my friends—
They laughed and said, “You got skinned alive!”
No song should end without some kind of mercy.
No one’s life should be like this song.
But mine has been, and you who listen,
bless your luck. So long.
What’s it like to be alone on the road? What’s it like to have a family, a car, a plan—and then to lose it all? And for my friends—what’s it like to guard your heart with denial, so you can protect yourself from another person’s pain?
I was a student then, writing a dissertation. I pretty much lived in the library. But Dan’s witness made me a singer instead. And I needed his pluck, a few years later, when my own family fell apart, and I wandered alone.
I hope the story he told was but a fable,
I hope he spent that money on wine.
I hope that Ruth is still with the family.
I hope their Chevy is running fine.
For every story you hear that’s a lie,
there’s a hundred hard and true.
I’ll give my money again to the stranger,
share the money as I pass through.
—Kim Stafford
*
Here are some great story poems. Read them aloud to someone!:
Abou Ben Adhem
Abou Ben Adhem (may his tribe increase!)
Awoke one night from a deep dream of peace,
And saw, within the moonlight in his room,
Making it rich, and like a lily in bloom,
An angel writing in a book of gold:—
Exceeding peace had made Ben Adhem bold,
And to the presence in the room he said,
“What writest thou?”—The vision raised its head,
And with a look made of all sweet accord,
Answered, “The names of those who love the Lord.”
“And is mine one?” said Abou. “Nay, not so,”
Replied the angel. Abou spoke more low,
But cheerly still; and said, “I pray thee, then,
Write me as one that loves his fellow men.”
The angel wrote, and vanished. The next night
It came again with a great wakening light,
And showed the names whom love of God had blest,
And lo! Ben Adhem’s name led all the rest.
—Leigh Hunt (1784-1859)
*
Nirvana
not much chance,
completely cut loose from
purpose,
he was a young man
riding a bus
through North Carolina
on the way to somewhere
and it began to snow
and the bus stopped
at a little café
in the hills
and the passengers
entered.
he sat at the counter
with the others,
he ordered and the
food arrived.
the meal was
particularly
good
and the
coffee.
the waitress was
unlike the women
he had
known.
she was unaffected,
there was a natural
humor which came
from her.
the fry cook said
crazy things.
the dishwasher,
in back,
laughed, a good
clean
pleasant
laugh.
the young man watched
the snow through the
windows.
he wanted to stay
in that café
forever.
the curious feeling
swam through him
that everything
was
beautiful
there,
that it would always
stay beautiful
there.
then the bus driver
told the passengers
that it was time
to board.
the young man
thought, I’ll just sit
here, I’ll just stay
here.
but then
he rose and followed
the others into the
bus.
he found his seat
and looked at the café
through the bus
window.
then the bus moved
off, down a curve,
downward, out of
the hills.
the young man
looked straight
forward.
he heard the other
passengers
speaking
of other things,
or they were
reading
or
attempting to
sleep.
they had not
noticed
the
magic.
the young man
put his head to
one side,
closed his
eyes,
pretended to
sleep.
there was nothing
else to do-
just listen to the
sound of the
engine,
the sound of the
tires
in the
snow.
—Charles Bukowski (1920-1994)
*
The Three Hermits
Three old hermits took the air
By a cold and desolate sea,
First was muttering a prayer,
Second rummaged for a flea;
On a windy stone, the third,
Giddy with his hundredth year,
Sang unnoticed like a bird:
‘Though the Door of Death is near
And what waits behind the door,
Three times in a single day
I, though upright on the shore,
Fall asleep when I should pray.’
So the first, but now the second:
‘We’re but given what we have eamed
When all thoughts and deeds are reckoned,
So it’s plain to be discerned
That the shades of holy men
Who have failed, being weak of will,
Pass the Door of Birth again,
And are plagued by crowds, until
They’ve the passion to escape.’
Moaned the other, ‘They are thrown
Into some most fearful shape.’
But the second mocked his moan:
‘They are not changed to anything,
Having loved God once, but maybe
To a poet or a king
Or a witty lovely lady.’
While he’d rummaged rags and hair,
Caught and cracked his flea, the third,
Giddy with his hundredth year,
Sang unnoticed like a bird.
—William Butler Yeats (1865-1939)
*
Three Angels
Three angels up above the street
Each one playing a horn
Dressed in green robes with wings that stick out
They’ve been there since Christmas morn
The wildest cat from Montana passes by in a flash
Then a lady in a bright orange dress
One U-Haul trailer, a truck with no wheels
The Tenth Avenue bus going west
The dogs and pigeons fly up and they flutter around
A man with a badge skips by
Three fellas crawlin’ on their way back to work
Nobody stops to ask why
The bakery truck stops outside of that fence
Where the angels stand high on their poles
The driver peeks out, trying to find one face
In this concrete world full of souls
The angels play on their horns all day
The whole earth in progression seems to pass by
But does anyone hear the music they play
Does anyone even try?
—Bob Dylan
*
A Story That Could Be True
If you were exchanged in the cradle and
your real mother died
without ever telling the story
then no one knows your name,
and somewhere in the world
your father is lost and needs you
but you are far away.
He can never find
how true you are, how ready.
When the great wind comes
and the robberies of the rain
you stand on the corner shivering.
The people who go by—
you wonder at their calm.
They miss the whisper that runs
any day in your mind,
“Who are you really, wanderer?”—
and the answer you have to give
no matter how dark and cold
the world around you is:
“Maybe I’m a king.”
—William Stafford (1914-1993)
*
The Aged Aged Man
I’ll tell thee everything I can;
There’s little to relate,
I saw an aged, aged man,
A-sitting on a gate.
“Who are you, aged man?” I said.
“And how is it you live?”
And his answer trickled through my head
Like water through a sieve.
He said, “I look for butterflies
That sleep among the wheat;
I make them into mutton-pies,
And sell them in the street.
I sell them unto men,” he said,
“Who sail on stormy seas;
And that’s the way I get my bread–
A trifle, if you please.”
But I was thinking of a plan
To dye one’s whiskers green,
And always use so large a fan
That they could not be seen.
So, having no reply to give
To what the old man said,
I cried, “Come, tell me how you live!”
And thumped him on the head.
His accents mild took up the tale;
He said, “I go my ways,
And when I find a mountain-rill,
I set it in a blaze;
And thence they make a stuff they call
Rowland’s Macassar Oil–
Yet twopence-halfpenny is all
They give me for my toil.”
But I was thinking of a way
To feed one’s self on batter,
And so go on from day to day
Getting a little fatter.
I shook him well from side to side,
Until his face was blue,
“Come, tell me how you live,” I cried,
“And what it is you do!”
He said, “I hunt for haddocks’ eyes
Among the heather bright,
And work them into waistcoat-buttons
In the silent night.
And these I do not sell for gold
Or coin of silvery shine,
But for a copper halfpenny,
And that will purchase nine.
“I sometimes dig for buttered rolls,
Or set limed twigs for crabs;
I sometimes search the grassy knolls
For wheels of hansom-cabs.
And that’s the way” (he gave a wink)
“By which I get my wealth–
And very gladly will I drink
Your honor’s noble health.”
I heard him then, for I had just
Completed my design
To keep the Menai bridge from rust
By boiling it in wine.
I thanked him much for telling me
The way he got his wealth,
But chiefly for his wish that he
Might drink my noble health.
And now, if e’er by chance I put
My fingers into glue,
Or madly squeeze a right-hand foot
Into a left-hand shoe,
Or if I drop upon my toe
A very heavy weight,
I weep, for it reminds me so
Of that old man I used to know–
Whose look was mild, whose speech was slow,
Whose hair was whiter than the snow,
Whose face was very like a crow,
With eyes, like cinders, all aglow,
Who seemed distracted with his woe,
Who rocked his body to and fro,
And muttered mumblingly and low,
As if his mouth were full of dough,
Who snorted like a buffalo–
That summer evening long ago,
A-sitting on a gate.
—Lewis Carroll (1832-1898)
Details
- Start:
- April 1, 2021
- End:
- April 14, 2021