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Friends of Walt: An Archive

May 29, 2022
  • « Take a tour of the Metropolitan Museum of Art
  • Bibliophiles Unanimous!: Annual Group Reading of “Song of Myself” 5/29/22 »

painting of Walt Whitman by Rick Bartow

 

 

To celebrate Walt’s 205th Birthday, Johnny Stallings performed “Song of Myself” on May 31st, in Muir Hall at Taborspace, in Portland.We read from and talked about “Song of Myself” for ¡Bibliophiles Unanimous! on Sunday,June 2nd. Here’s what Robert G. Ingersoll said at Walt Whitman’s funeral:

 

Robert Ingersoll’s Tribute to Walt Whitman

 

MY FRIENDS: Again we, in the mystery of Life, are brought face to face with the mystery of Death. A great man, a great American, the most eminent citizen of this Republic, lies dead before us, and we have met to pay a tribute to his greatness and his worth.

I know he needs no words of mine. His fame is secure. He laid the foundations of it deep in the human heart and brain.

He was, above all I have known, the poet of humanity, of sympathy. He was so great that he rose above the greatest that he met without arrogance, and so great that he stooped to the lowest without conscious condescension. He never claimed to be lower or greater than any of the sons of men.

He came into our generation a free, untrammeled spirit, with sympathy for all. His arm was beneath the form of the sick. He sympathized with the imprisoned and despised, and even on the brow of crime he was great enough to place the kiss of human sympathy.

One of the greatest lines in our literature is his, and the line is great enough to do honor to the greatest genius that has ever lived. He said, speaking of an outcast: “Not till the sun excludes you do I exclude you.”

His charity was as wide as the sky, and wherever there was human suffering, human misfortune, the sympathy of Whitman bent above it as the firmament bends above the earth.

He was built on a broad and splendid plan—ample, without appearing to have limitations—passing easily for a brother of mountains and seas and constellations; caring nothing for the little maps and charts with which timid pilots hug the shore, but giving himself freely with recklessness of genius to winds and waves and tides; caring for nothing as long as the stars were above him.

He walked among men, among writers, among verbal varnishers and veneerers, among literary milliners and tailors, with the unconscious majesty of an antique god.

He was the poet of that divine democracy which gives equal rights to all the sons and daughters of men. He uttered the great American voice; uttered a song worthy of the great Republic. No man ever said more for the rights of humanity, more in favor of real democracy, of real justice.

He neither scorned nor cringed, was neither tyrant nor slave. He asked only to stand the equal of his fellows beneath the great flag of nature, the blue and stars.

He was the poet of Life. It was a joy simply to breathe. He loved the clouds; he enjoyed the breath of morning, the twilight, the wind, the winding streams. He loved to look at the sea when the waves burst into the whitecaps of joy. He loved the fields, the hills; he was acquainted with the trees, with birds, with all the beautiful objects of the earth. He not only saw these objects, but understood their meaning, and he used them that he might exhibit his heart to his fellow-men.

He was the poet of Love. He was not ashamed of that divine passion that has built every home in the world; that divine passion that has painted every picture and given us every real work of art; that divine passion that has made the world worth living in and has given some value to human life.

He was the poet of the natural, and taught men not to be ashamed of that which is natural. He was not only the poet of democracy, not only the poet of the great Republic, but he was the Poet of the human race. He was not confined to the limits of this country, but his sympathy went out over the seas to all the nations of the earth.

He stretched out his hand and felt himself the equal of all kings and of all princes, and the brother of all men, no matter how high, no matter how low.

He has uttered more supreme words than any writer of our century, possibly of almost any other. He was, above all things, a man, and above genius, above all the snow-capped peaks of intelligence, above all art, rises the true man, Greater than all is the true man, and he walked among his fellow-men as such.

He was the poet of Death. He accepted all life and all death, and he justified all. He had the courage to meet all, and was great enough and splendid enough to harmonize all and to accept all there is of life as a divine melody.

You know better than I what his life has been, but let me say one thing. Knowing, as he did, what others can know and what they cannot, he accepted and absorbed all theories, all creeds, all religions, and believed in none.

His philosophy was a sky that embraced all clouds and accounted for all clouds. He had a philosophy and a religion of his own, broader, as he believed—and as I believe—than others. He accepted all, he understood all, and he was above all.

He was absolutely true to himself. He had frankness and courage, and he was as candid as light. He was willing that all the sons of men should be absolutely acquainted with his heart and brain. He had nothing to conceal.

Frank, candid, pure, serene, noble, and yet for years he was maligned and slandered, simply because he had the candor of nature. He will be understood yet, and that for which he was condemned—his frankness, his candor—will add to the glory and greatness of his fame.

He wrote a liturgy for mankind; he wrote a great and splendid psalm of life, and he gave to us the gospel of humanity—the greatest gospel that can be preached.

He was not afraid to live, not afraid to die. For many years he and death were near neighbors. He was always willing and ready to meet and greet this king called death, and for many months he sat in the deepening twilight waiting for the night, waiting for the light.

He never lost his hope. When the mists filled the valleys, he looked upon the mountaintops, and when the mountains in darkness disappeared, he fixed his gaze upon the stars.

In his brain were the blessed memories of the day, and in his heart were mingled the dawn and dusk of life.

He was not afraid; he was cheerful every moment. The laughing nymphs of day did not desert him. They remained that they might clasp the hands and greet with smiles the veiled and silent sisters of the night. And when they did come, Walt Whitman stretched his hand to them. On one side were the nymphs of the day, and on the other the silent sisters of the night, and so, hand in hand, between smiles and tears, he reached his journey’s end.

From the frontier of life, from the western wave-kissed shore, he sent us messages of content and hope, and these messages seem now like strains of music blown by the “Mystic Trumpeter” from Death’s pale realm.

Today we give back to Mother Nature, to her clasp and kiss, one of the bravest, sweetest souls that ever lived in human clay.

Charitable as the air and generous as Nature, he was negligent of all except to do and say what he believed he should do and should say.

And I today thank him, not only for you but for myself—for all the brave words he has uttered. I thank him for all the great and splendid words he has said in favor of liberty, in favor of man and woman, in favor of motherhood, in favor of fathers, in favor of children, and I thank him for the brave words that he has said of death.

He has lived, he has died, and death is less terrible than it was before. Thousands and millions will walk down into the “dark valley of the shadow” holding Walt Whitman by the hand. Long after we are dead the brave words he has spoken will sound like trumpets to the dying.

And so I lay this little wreath upon this great man’s tomb. I loved him living, and I love him still.

 

—Camden, New Jersey, March 30, 1892

 

 

The origin of Friends of Walt comes from an email that Kim Stafford sent me  after our annual reading of “Song of Myself” to celebrate Walt Whitman’s Birthday on May 29th, 2022. Here’s what he wrote:

 

Following our shining session today, would you like to invite the group to send you citations for Whitmania, to be compiled and shared with everyone: title and author of biographies, the URL for the Billy Collins talk on YouTube, Will’s source of quotation for how Emily Dickinson appreciated Whitman, and anything else. A sort of reading list for us to peruse before the next annual reading?

 

Just a thought…and if you reply “Good idea–why don’t you do it?” … we can collaborate. (Perrin’s looking up citations now.)

 

Have I ever told you the story about how my father was saved from being lynched in Arkansas in the winter of 1942 because he was reading Whitman when the mob came? We could put that in the bibliography, too.

 

–Kim

*
 
 Okay, so here we go!
 
 
Starting with a poem Kim wrote today (5/30/22) about how Walt Whitman saved his dad’s life:
 
 
The story about Whitman saving my dad…which is told in the first chapter of Down in My Heart…and which Keith Scales made into a little play to perform one time at the Portland Poetry Festival for my dad, after his last reading, early August 1993.

 

 

         Memorial Day: How Walt Whitman

            Saved My Farther from the Mob

 

One Sunday afternoon in 1942, three peace warriors

walked into a little town in Arkansas to loaf by the station

and take their ease. They were strangers there, so locals

gathered, curious. “What’s that you’re writing?” said one,

grabbing the page. “Why sir, it’s a poem.” “That aint poetry—

it don’t rhyme. It’s code. And you! What’s that you’re drawing?”

“Just a sketch.” “That aint no sketch, bub—it’s a map for Hitler.”

“Get a rope!” someone cried out, and time got bright and fast. 

“And you!” the hothead shouted at my father, “What’s that book?” 

and snatched it, slapped it open, and began to read aloud to prove 

poetry had to rhyme. But lynching’s logic faltered as his fury 

trailed off in a run of wild words, and time slowed down again. 

“Call the sheriff!” someone shouted, as the crowd hummed

and muttered like a hive until the sheriff came, blustered 

my father and his friends into his car, slammed the door, 

turned and said, “Let’s get you boys out of town.”

 

Failing to catch me at first keep encouraged, 

Missing me one place search another, 

I stop somewhere waiting for you. 

 

–Kim Stafford

*

 

Perrin Kerns turned me on to some gorgeous videos by Jennifer Crandall. The URL address is

 

whitmanalabama.com. 

 
Alan Benditt sent this link to a video of Charlie Rose talking with Allen Ginsberg, Sharon Olds and Galway Kinnell about Walt Whitman:
 
 
https://charlierose.com/videos/20510
 
This is our little homemade archive. Jeffrey Sher and Kim Stafford sent a link to the University of Nebraska’s vast online Whitman Archive. You can find all kinds of treasures here:
 
 
https://whitmanarchive.org
 
 
Kim said:
 
 
Today [5/30/22] I’ve been spending some time at this Grand Central Station of Walt Whitman sources, reading his fiction and journalism, some so pedestrian it makes Leaves of Grass even more miraculous.
 
 
Today, May 31, 2022, is Walt Whitman’s 203rd birthday. Happy Birthday, Walt!!! Howard Thoresen sent a link to the wax cylinder recording that Thomas Edison made of Walt Whitman, in his old age, reading or reciting his poem “America.” Here’s what Howard said:
 
 
This one has a lot of noise on it but I find it easier to hear than the cleaned up version (maybe because the text is on the screen):
 
 
https://www.youtube.com/watch?v=yBX2L_Re5Cc
 
 
Kim’s response to Howard (5/31/22):
 
 
Thank you, Howard. If we only we had Walt at 37 reading with full verve. But all the same, amazing to hear this voice.
 
 Johnny, we might include for the page this mysterious ad from Volvo, where lines from “Song of the Open Road” are used without attribution:
 
 
https://www.youtube.com/watch?v=42ZMi0DnMtE
 
 
Walt selling freedom, Volvo selling cars…and a little love story folded in where the writer is scruffy hero with expensive wheels. Maybe there’s a Kerouac vibe implied as well.
 
 
–Kim
*
 
 
To celebrate Walt’s birthday today (5/31/22) I want to share one of my favorite short poems of his:
 
 
BEGINNING MY STUDIES
 
 
Beginning my studies the first step pleas’d me so much,
The mere fact consciousness, these forms, the power of motion,
The least insect or animal, the senses, eyesight, love,
The first step I say awed me and pleas’d me so much,
I have hardly gone and hardly wish’d to go any farther,
But stop and loiter all the time to sing it in ecstatic songs.
 
 
–Walt Whitman
*
 
 
Will Hornyak recommended a talk that Billy Collins gave on Whitman. Here’s the link:

 

https://www.youtube.com/watch?v=7VYnkdcDQZA

 

 

 Here’s an interview I did about “Song of Myself” on Marfa Public Radio in 2017:

 

 

 
 
Kim sent this:
 
 
Need we look further for where Whitman got his cadence than Emerson…perhaps from the essay you mentioned, “The Poet,” which Emerson must have composed, or perhaps revised, aloud, in preparation to deliver it as a lecture, oration, or operatic performance. Think of the young Whitman, after toiling on some journalistic task, encountering music like this last paragraph of Emerson’s essay:
 
 
     O poet! a new nobility is conferred in groves and pastures, and not in castles, or by the sword-blade, any longer. The conditions are hard, but equal. Thou shalt leave the world, and know the muse only. Thou shalt not know any longer the times, customs, graces, politics, or opinions of men, but shalt take all from the muse. For the time of towns is tolled from the world by funereal chimes, but in nature the universal hours are counted by succeeding tribes of animals and plants, and by growth of joy on joy. God wills also that thou abdicate a manifold and duplex life, and that thou be content that others speak for thee. Others shall be thy gentlemen, and shall represent all courtesy and worldly life for thee; others shall do the great and resounding actions also. Thou shalt lie close hid with nature, and canst not be afforded to the Capitol or the Exchange. The world is full of renunciations and apprenticeships, and this is thine: thou must pass for a fool and a churl for a long season. This is the screen and sheath in which Pan has protected his well-beloved flower, and thou shalt be known only to thine own, and they shall console thee with tenderest love. And thou shalt not be able to rehearse the names of thy friends in thy verse, for an old shame before the holy ideal. And this is the reward: that the ideal shall be real to thee, and the impressions of the actual world shall fall like summer rain, copious, but not troublesome, to thy invulnerable essence. Thou shalt have the whole land for thy park and manor, the sea for thy bath and navigation, without tax and without envy; the woods and the rivers thou shalt own; and thou shalt possess that wherein others are only tenants and boarders. Thou true land-lord! sea-lord! air-lord! Wherever snow falls, or water flows, or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds, or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love, there is Beauty, plenteous as rain, shed for thee, and though thou shouldest walk the world over, thou shalt not be able to find a condition inopportune or ignoble.
 
 
–from the essay “The Poet” by Ralph Waldo Emerson
 
 
Walt Whitman self-published his first book of poems, Leaves of Grass, in 1855, when he was 36 years old. It contained 12 poems, including the poem now titled “Song of Myself.” (In the original edition, the poems did not have titles.) He sent a copy of the poem to Ralph Waldo Emerson, who then sent Whitman this letter:
 
 
CONCORD, MASSACHUSETTS, 21 July, 1855
 
 
DEAR SIR–
 
 
I am not blind to the worth of the wonderful gift of “LEAVES OF GRASS.” I find it the most extraordinary piece of wit and wisdom that America has yet contributed. I am very happy in reading it, as great power makes us happy. It meets the demand I am always making of what seemed the sterile and stingy nature, as if too much handiwork, or too much lymph in the temperament, were making our western wits fat and mean.
 
 
I give you joy of your free and brave thought. I have great joy in it. I find incomparable things said incomparably well, as they must be. I find the courage of treatment which so delights us, and which large perceptions can inspire.
 
 
I greet you at the beginning of a great career, which yet must have had a long foreground somewhere, for such a start. I rubbed my eyes a little, to see if this sunbeam were no illusion; but the solid sense of the book is a sober certainty. It has the best merits, namely, of fortifying and encouraging.
 
 
I did not know until I last night saw the book advertised in a newspaper that I could trust the name as real and available for a post-office. I wish to see my benefactor, and have felt much like striking my tasks and visiting New York to pay you my respects.
 
 
R. W. EMERSON
*
 
 
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Date:
May 29, 2022
  • « Take a tour of the Metropolitan Museum of Art
  • Bibliophiles Unanimous!: Annual Group Reading of “Song of Myself” 5/29/22 »

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